skip to main content
US FlagAn official website of the United States government
dot gov icon
Official websites use .gov
A .gov website belongs to an official government organization in the United States.
https lock icon
Secure .gov websites use HTTPS
A lock ( lock ) or https:// means you've safely connected to the .gov website. Share sensitive information only on official, secure websites.


Search for: All records

Creators/Authors contains: "Arn, Robert"

Note: When clicking on a Digital Object Identifier (DOI) number, you will be taken to an external site maintained by the publisher. Some full text articles may not yet be available without a charge during the embargo (administrative interval).
What is a DOI Number?

Some links on this page may take you to non-federal websites. Their policies may differ from this site.

  1. New depth sensors, like the Microsoft Kinect, produce streams of human pose data. These discrete pose streams can be viewed as noisy samples of an underlying continuous ideal curve that describes a trajectory through high-dimensional pose space. This paper introduces a technique for generalized curvature analysis (GCA) that determines features along the trajectory which can be used to characterize change and segment motion. Tools are developed for approximating generalized curvatures at mean points along a curve in terms of the singular values of local mean-centered data balls. The features of the GCA algorithm are illustrated on both synthetic and real examples, including data collected from a Kinect II sensor. We also applied GCA to the Carnegie Mellon University Motion Capture (MoCaP) database. Given that GCA scales linearly with the length of the time series we are able to analyze large data sets without down sampling. It is demonstrated that the generalized curvature approximations can be used to segment pose streams into motions and transitions between motions. The GCA algorithm can identify 94.2% of the transitions between motions without knowing the set of possible motions in advance, even though the subjects do not stop or pause between motions. 
    more » « less